Tag Archives: photography

Platform

A Stereo 3D filmed installation running in a continuous loop of 8 hours.

CLIP0000249_002 (7.17.37.13)Click any image for an expanded view.

Platform is being created using a high-speed camera and later modified to create full stereoscopic 3D – a technique I have been developing for several years. It stretches time, and adds a third dimension, transforming an everyday setting into a mysterious world of living 3D statues, and revealing a hidden beauty inaccessible to those present at the time.

Each section has its own content and tone depending on who is present on that day or evening. A hot summers’ day will yield something very different from Halloween. Choice of lens and exposure also add a ‘look’. The process is a little random (which is challenging and fun) and requires some skill and vision to mould into a finished piece.

Platform begins at Edgware Road tube station, and takes 8 hours to follow the Circle Line around back to Edgware Road again. This journey normally takes 40 minutes. The piece is edited to form a continuous loop.

To me Platform suggests both an apalling transience to our lives whilst paradoxically hinting at something more enduring.

CLIP0000249_002 (7.16.43.11)
Here in Stereoscopic 3D.
Click any image for an expanded view.

 

Using this technique, a 10 minute segment, Platform 6, was shot on Halloween 2017. Meant only as a test, it has since taken on a life its own, winning Best 3D at the New Media Film Festival, LA!

Amother segment, Notting Hill, is in competition at SD&A, San Fransisco, January 2020.

Platform 6 and Notting Hill are available for screenings, and need 3D projection and glasses.
Some info and stills – here

 .

Platform 6

Platform ProRes Dec17 5 widescreen 3 (0.01.59.06)

Platform 6 was shot over one evening on the North London Line.

Platform 6 is part of a larger filmed installation, Platform, a endless loop of 8 hours. This segment was shot on Halloween and meant only as a test, but has since taken on a life its own, such as winning Best 3D at the New Media Film Festival in LA.

Platform is created using a high-speed camera modified to create full stereo 3D – a technique I have been developing for several years. The process stretches time, and adds a third dimension, transforming an everyday setting into a mysterious world of living 3D statues, and revealing hidden beauties inaccessible to those present at the time.

Each part is different in content and tone depending on what is happening on that day or evening. A hot summers’ day will yield something very different from Halloween. Choice of lens and exposure also add a ‘look’. The process is a little random (which is challenging and fun) and requires some skill and vision to mould into finished pieces later.

To me the Platform suggests both an apalling transience to our lives whilst paradoxically hinting at something more enduring.

Screen Shot 2018-07-01 at 23.49.23 (0.00.00.00)
Screen Shot 2018-07-01 at 23.50.00 (0.00.00.00)Screen Shot 2018-07-01 at 23.40.43 (0.00.28.04)Screen Shot 2018-07-01 at 23.52.44 (0.00.00.00)Screen Shot 2018-07-01 at 23.51.55 (0.00.31.17)

Here in Stereo 3D. Click to view images in a larger window.

Screen Shot 2018-07-02 at 09.30.47'Platform 6' - Karel Bata'Platform 6' - Karel Bata

Platform 6 was created over the evening of Halloween 2017.
It has been screened at:

The London Sci-Fi Film Festival
EXP Gallery, Hackney, London
Art in Flux, Ugly Duck Gallery, London
LA 3-D Film Festival, LA
SD&A, San Francisco
New Media Film Festival, LA (winner, Best 3D)
EVENT TWO, Royal College of Art, London
Victoria and Albert Museum, London
More to come…

New Media Film Festival 2019 Laurels

 .

ARTiculAction magazine interview

Interview with Karel Bata in ARTiculAction magazine.
Click on image to open in fresh window.

.Karel Bata - ARTiculAction.

SX70 Polaroid experiments

In my 20s I devoured the monochrome photography of Walker Evans, Robert Capa, the NFA, etc. I must bought bought the whole PhotoPoche library. I was also a frequent visitor to Soho’s Photographers’ Gallery, and it was there I was blown away by Lucas Samaras’ bold use of colour, and his physical manipulation of Polaroid prints – so radical back then!

I saved up, bought a SX70 Camera, and set about moulding the dye layers as images formed, heating the prints, taking them apart, and even putting them in the microwave. Sparks flew(!) and each image was unique, yet a style clearly emerged that was all my own.

Such a shame the stock was discontinued. Here’s a couple of my prints. Click for a closer look.

 ……Micheal Read-Shaw: distressed polaroid ...Liz Hossack: distressed polaroid

.