Interview with Karel Bata in ARTiculAction magazine.
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This is quite mystical. In some parts of Asia, we believe there are spirits which reside in trees. Here, the British artist Karel Bata marries the persona of the tree with the portraits of people who had inspired him. Look closely at the details as the projections are set against the tree… then watch as it blinks and morphs into another face. Ingenious.
– – – – – – – – – – – – – – – – – – — – –– David Sucha, Life’s Tiny Miracles
The one that did catch my attention was The Tree that Blinked. This ghostly display uses spotlights to form a person’s face on a large Banyan Tree, which then blink and change every now and then. …the face literally pops out at you the moment you shift into the correct viewing spot. I found this to be very, very smart.
– – – – – – – – – – – – – – – – – – — – –– The Scribbling Geek
My favourite of the whole festival however was The Tree That Blinked. It was amazing in so many ways, but the symbolism behind it was subjective which meant different meanings could come from this animated projection.
– – – – – – – – – – – – – – – – – – — – – Kara Bertoncini, The AU Review
In 2017 Singapore Night Festival celebrated their 10th anniversary with 600,000 visitors. They had seen my earlier work and asked me to create something around their century-old Banyan tree to celebrate its antiquity. I was happy to oblige with my installation The Tree That Blinked.
It is a series of digitally manipulated portraits projected into an old Banyan tree in which I trigger and explore the mystery and myths that form such a large part of our perception of woodlands. The work moves and shifts as the leaves are blown in the wind, so facial expressions seem to change too and the faces appear to undergo transformations of age and identity. Blended with real movements in the faces, and subtle morphs from face to face, this provides a compelling illuison of something alive within the tree, of spirits within.
This was first shown in embryonic form at Gallery 286 in London. At the time viewers referenced childhood stories or experiences of mysterious forests and strange creatures, and even ideas of layered consciousness. Some saw the tree as benign. I have taken these comments on board, and the piece has grown with these ideas.
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Some stills (Click any image to see a larger version)
An installation of projected stereoscopic ‘living statues’.
At the core of Platform 1 is a series of Stereo 3D ‘living statues’ of rail passengers captured with a high-speed camera and frozen mid-gesture as we move past them.
This is then processed later to create a Stereo 3D image.
Platform 1 is an istallation that evolves with the physical particularities of the venue it is in. The piece uses a large Stereo 3D screen made from non-standard projection material (such as a builder’s sheet!) giving a sense of the piece organically sited in its setting. It is presented using an innovative system using two 4k projectors that give an unusually bright 3D image.
Platform 1 is suited to a large space, but is very adaptable, and can be presented more simply, or in a smaller space, using a conventional 3D TV screen.
Platform 1 was first presented at EXP Hackney, London, November 2017.
It was shown again during Art in Flux at Ugly Duck Studios, June 2018.